Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

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Bartolome Esteban Murillo Like Sister Duo Luo Deya oil painting


Like Sister Duo Luo Deya
mk284 Oil on canvas 1674 44 x 30 cm Seville Cathedral
Painting ID::  62660
Bartolome Esteban Murillo
Like Sister Duo Luo Deya
mk284 Oil on canvas 1674 44 x 30 cm Seville Cathedral
   
   
     

Bartolome Esteban Murillo Saint Qatar Fiorina Engagement oil painting


Saint Qatar Fiorina Engagement
mk284 Oil on canvas 449 x 325 cm card Andes Monastery Tibet
Painting ID::  62661
Bartolome Esteban Murillo
Saint Qatar Fiorina Engagement
mk284 Oil on canvas 449 x 325 cm card Andes Monastery Tibet
   
   
     

Bartolome Esteban Murillo Saint Catherine of Alexandria oil painting


Saint Catherine of Alexandria
from 1650(1650) until 1655(1655) Oil on canvas 186 x 104 cm (73.23 x 40.94 in)
Painting ID::  66092
Bartolome Esteban Murillo
Saint Catherine of Alexandria
from 1650(1650) until 1655(1655) Oil on canvas 186 x 104 cm (73.23 x 40.94 in)
   
   
     

Bartolome Esteban Murillo Vendedores de fruta oil painting


Vendedores de fruta
Title English: The Little Fruit Seller Español: Vendedores de fruta Français : La petite marchande de fruits Polski: Mała sprzedawczyni owocew
Painting ID::  67600
Bartolome Esteban Murillo
Vendedores de fruta
Title English: The Little Fruit Seller Español: Vendedores de fruta Français : La petite marchande de fruits Polski: Mała sprzedawczyni owocew
   
   
     

Bartolome Esteban Murillo Angels' Kitchen oil painting


Angels' Kitchen
1646 Oil on canvas 180 x 450 cm
Painting ID::  67701
Bartolome Esteban Murillo
Angels' Kitchen
1646 Oil on canvas 180 x 450 cm
   
   
     

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     Bartolome Esteban Murillo
     Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

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